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The😷@ lines😬 @( start 😴_with “O So😛@?mma Luce” 🤥🤐😷*😷whic 😙😌😋=h 😶🤨is the title o😌🤐f the]🤔😁 film and 🤐%😍also the 67th line o😗]-f the 33rd🤤[ canto in “Para!🥰😶:dis🤒o” of :😜]Dante’s ,=😍“Divin\😃$ e Co🤪😄😬me/😑dy,😒” to the end of “Paradiso🤮)😙🙂 ”🤫😘. 😅🤒🤥😝The film😛🤨🙃\ is/🤪😄 com $😂pleted😐🤩 [ wi🤩 /th music and line😂😴-s inste😘ad😴🤫😜!^ 🤗o😀@f😅;🤫` emotio😝)🤫😔ns 😴\🤭and narratio)😛ns. 🤭 This is a rec🤗😁en😴😗t attempt t😊-😜🙄o combin^😍🤣🤑🤫e film🤥 with literat 😐ure. The film begi😆😀🙂ns wi*🤥😉😙th +a b\la🤤😷😁ck scr `\😒een an!😬😶😶d th😀`🤑😃e mu🤥 😷sic o🤨🤩😴 🤑f Edgard Var😇😉🤨🙃ese😉@. The (🤩🤩BGM i [😏s “Desert%🤪s”🙂 that was recorde🤣d-🤐. i😝😋*🤫 n 19🤥😝54😚`.🤫. 😄*🤫A🤭😄\fter 😑😉so😘🤨😁😑😇me mo%🤑😁🤕ment $😔s of😙😴🤢; dar😔#kness😶🤗😪, the musi -🙃c end🤩🤢s and a m😑🤑iddle-ag #🤮_ed m%🥰an sits on a hi!😅😍ll, re🤮ci😚%ti?😴😘😏😐n$\🤩g some😋+thi🤤 😑ng. :🤭🤤%He is😌 Gi]]orgio Passerone, an 😗Italian li😬🥰 terat😉🙄ure prof😴-_🤩-essor, and😂_🤗 he is 😴🤣[re🥰%a*🤣🤕/ding out of t🤤😗🤩he %😚last part 🥰of ‘P@😂🙃😇aradi😅?/so😘’ of D🤪😂a🤭😴*😛nte)🤐😏’s Divine😆 Co😐😪_-me 🥰😃:dy. Jean-Mari😚e Str😂😬🙂😜aub expres😛sed how he thinks o🤮,f D😙🤒🤗😊ante`😄😆😋 through a 🙂. subtl🤕😀😍e a🥰 :🙂ccent😗_ and diale.%!ct. The dire😘😗ctor who had encoded 🤐?🤪many 😪 🤭grea😒🤥🤗 t artis😔🤕ts and m😘😷🤕usi🤮🥰🤗cian😙@s including Bach😑. 😍,😔🤐😆🤤 complete 🤑 th^🤗🙃e combi)🤒 n=🙄😗😏 ation of 😀🤮🤫😂;Dante a 🤗:n😜-😛*😅d Varese🤩^😐, which could 😀🤭seem st$🤫😉^ra] nge. (Lim!🙃 :😶 Kyu🤥😊ng 🤩😘Yo`/ ng)